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  • Datei:Andrew Dunlop, London, Werk Nr. 1586, Geh. Nr. 2162, circa 1729 (10).jpg
    …al), großes Außenscharnier, Gehäusemacher-Punzzeichen "IW" (möglicherweise John Willoughby). Innengehäuse - 18Kt Gold, glatt, Gehäusemacher-Punzzeichen " …and a whale; large lateral hinge, case maker punch mark "IW" (possibly for John Willoughby). Inner case - 18K gold, polished, case maker punch mark "IW".…
    (568 × 851 (120 KB)) - 20:26, 25. Mär. 2014
  • Datei:Andrew Dunlop, London, Werk Nr. 1586, Geh. Nr. 2162, circa 1729 (01).jpg
    …al), großes Außenscharnier, Gehäusemacher-Punzzeichen "IW" (möglicherweise John Willoughby). Innengehäuse - 18Kt Gold, glatt, Gehäusemacher-Punzzeichen " …and a whale; large lateral hinge, case maker punch mark "IW" (possibly for John Willoughby). Inner case - 18K gold, polished, case maker punch mark "IW".…
    (566 × 850 (124 KB)) - 20:24, 25. Mär. 2014
  • Uhrmacher in Liverpool/Personen S
    *[[Sanderson, John (2)]]; (Watchmaker) 1828 Pownall Street. *[[Sandys, John]]; (Watchmaker) 1838 Harford Street.
    12 KB (1.341 Wörter) - 15:54, 27. Aug. 2020
  • Uhrmacher in Liverpool/Personen B
    *[[Baggs, John]]; (Watchmaker) 1818 Circus Street. *[[Bailey, John]]; (Watchmaker) verheiratet mit Mary Prindap am 2. Mai 1816 im Christ Churc
    23 KB (2.623 Wörter) - 13:35, 8. Mai 2024
  • Uhrmacher in Liverpool/Personen W
    …verheiratet mit Betty Walker- ? , 1775 Pfarrgemeinde St. Peter, [[Walker, John]]. …Mary Tyler am 30 April 1798, im St Nicholas, 1799 Hurst Street, [[Walker, John]].
    20 KB (2.212 Wörter) - 14:12, 8. Mai 2024
  • Clockmakers Company/Mitglieder B
    *[[Bacon, John]], London, [[1639/de|1639]] Mitglied der Clockmakers Company. *[[Badger, John]], London, von [[1720/de|1720]] bis [[1722/de|1722]] Mitglied der Clockmake
    57 KB (5.935 Wörter) - 13:52, 3. Jan. 2024
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (5).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (610 × 858 (186 KB)) - 13:20, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (6).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (850 × 850 (208 KB)) - 13:21, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (7).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (850 × 850 (237 KB)) - 13:22, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (8).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (805 × 805 (105 KB)) - 13:22, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (9).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (805 × 805 (134 KB)) - 13:19, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (1).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (672 × 853 (106 KB)) - 13:19, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (2).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (672 × 853 (142 KB)) - 13:19, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (3).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (800 × 800 (181 KB)) - 13:19, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (4).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (610 × 858 (215 KB)) - 13:20, 11. Mär. 2020
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (08).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (637 × 850 (108 KB)) - 11:34, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (09).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 857 (137 KB)) - 11:35, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (10).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (639 × 851 (171 KB)) - 11:35, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (11).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 859 (157 KB)) - 11:36, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (01).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 856 (126 KB)) - 17:57, 1. Nov. 2018

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