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  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (4).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (610 × 858 (215 KB)) - 13:20, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (5).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (610 × 858 (186 KB)) - 13:20, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (6).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (850 × 850 (208 KB)) - 13:21, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (7).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (850 × 850 (237 KB)) - 13:22, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (8).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (805 × 805 (105 KB)) - 13:22, 11. Mär. 2020
  • Datei:Sam(uel) Atkins London, Nr. 1431, circa 1744 (9).jpg
    …sque mark at the base and small scene around the pendant. In the centre a bird perched in reeds surrounded by a symmetrical border, maker's mark "EB" with …s father Michael, a coppersmith. He moved to London in 1726 and worked for John Valentine Haidt, goldsmith and watch chaser. By 1737 he was working on his
    (805 × 805 (134 KB)) - 13:19, 11. Mär. 2020
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (04).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 859 (175 KB)) - 11:25, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (05).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (827 × 1.102 (149 KB)) - 11:26, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (06).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (637 × 850 (54 KB)) - 11:34, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (07).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (644 × 858 (119 KB)) - 11:34, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (08).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (637 × 850 (108 KB)) - 11:34, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (09).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 857 (137 KB)) - 11:35, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (10).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (639 × 851 (171 KB)) - 11:35, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (11).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 859 (157 KB)) - 11:36, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (01).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 856 (126 KB)) - 17:57, 1. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (12).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (639 × 852 (137 KB)) - 11:37, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (02).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (643 × 859 (175 KB)) - 17:58, 1. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (13).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (644 × 857 (149 KB)) - 11:37, 2. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (03).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (642 × 856 (145 KB)) - 17:58, 1. Nov. 2018
  • Datei:Grignion - James Snelling - George Michael Moser, London, circa 1776 (14).jpg
    …rschmied. Moser zog 1726 nach London, um für den Goldschmied und Punzierer John Valentine Haidt zu arbeiten. Ab 1737 arbeitete er selbständig in den Crave …ted with three "en grisaille" enamel medallions with profile portraits and bird motifs. The chatelaine (140 mm long) has a textile strap and a key; the neo
    (644 × 858 (223 KB)) - 11:46, 2. Nov. 2018

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